For all artists and arts organisations: the Arts Council has produced a series of videos, released monthly, to promote the Grants for the Arts scheme to individual artists. This is funding designated for individual artists and small arts organisations. Take a look and see how some of the artists are using their funding.
Grants for the arts
is for activities carried out over a set period and which engage people in England in arts activities, and help artists and arts organisations in England carry out their work. It is funded by the National Lottery. Perhaps you can watch the videos and get some ideas to apply for your own stream of funding.
This month’s video focuses on visual artist Ben Rivers which you can watch below.
Alfred Wallis, Sailing ship and orchard, 1935-37 (circa)
Poetry inspired by Alfred Wallis
/ Thursday 21st June
On Sunday 10 June poet
Tamar Yoseloff
ran a study day here entitled ‘Wallis and Poetry’ to coincide with the
Alfred Wallis display
in the gallery. We are delighted to be able to share two of the poems that emerged from the day. Tamar also wrote a fascinating post on her blog about Wallis and poetry, see:
http://invectiveagainstswans.tumblr.com/
Please read the poems below.
Cannibalism
In memoriam – Alfred Wallis 1855-1942 – Cornish Mariner and Painter
He knows the roof of the sky
how it can darken in anger
at a penny in a sailor’s pocket
the hint of a whistle
the whiff of a woman
He grew up on tales of Franklin’s fate -
the ships splintered in an arctic grip
the starving men dreaming
of the blue flesh of their own dead
He knows how the land feels
after days, weeks away
how it tilts him and sways him
as if he has defied his God
with the velveteen sweetness of brandy
He wades through the flotsam
of the grocery store
stamping boxes to a flatness
he can fill with his world
seeking nails he can use
to crucify his visions
In the world beyond
the privileged discuss Primitivism
over cups of Darjeeling
taming fears of consuming darkness
by sending forth the sacrament
the word made flesh
In the world beyond
the scholars pick clean
his remains – marvel
at the whiteness of his bones.
Sue Burge June 2012
‘Small Boat in a Rough Sea’ Alfred Wallis, the Cornish painter, spoke of every boat of the fleet having ‘a soul, a beautiful soul, shaped like a fish’
Sure at last that it was his life he was living
he painted the way he read God’s word, daily
and in simple tones, with the sombre shades
of yacht-paint he had to hand: rock-colour,
sand-colour, for ships and cottages, a flock
of enamelled birds, the moon atop a hill.
He’d picture the bowl of sea in Mounts Bay,
its broken crests of wave, the gulls tucked
into its cliff-folds, its tall masts and rigging,
the tide of its breathing like his very own.
What he could never catch was the fog,
the peninsula turned isle wreathed round
by the haunted sound of its fog-horns,
St Anthony’s Head, Longships, Lizard Point,
like souls on their journey or parishes already
in mourning, Trevose Head, Pendeen.
The bodies recovered have not been named.
But in the dawn a shoal of selves, fine and silvery
as pins, will be putting out for Troy and Eldorado,
for whelks or herring or pilchard, pelagic gold:
It’s always been crabbing or fishing with him, he loved it since he was a nipper.
Plymouth, Lundy, Sole.
Porpoises black as bibles ride the turquoise
and the great white sails glide on like ghosts.
Lesley Saunders
(The quote is from an interview given by the mother of one of the missing fishermen from the Purbeck Isle, which went down off the south coast of England on 17 May 2012.)
Robert Jones, Alfred Wallis expert, delivered a talk at Kettle’s Yard, 12 June. You can watch the talk here.
The Cornish artist and author
Robert Jones
was born in Newquay, Cornwall. The beaches and cliffs were his childhood playground. He studied at Falmouth College of Art where he was taught by Robert Organ and Francis Hewlett. He continued to paint whilst teaching in various schools including A.S. Neill’s Summerhill School for three years, and for seven further years fishing around the Cornish coast. A period as part time tutor at Penzance and Falmouth Colleges of art, followed by a successful exhibition at Newlyn Orion Art Gallery encouraged him to concentrate on his painting. He was able to reduce his teaching commitments and then to paint full time. He is a prolific artist who has exhibited widely.
In 1995 he began researching the life and work of the artist Alfred Wallis, and in 2000 his book, ‘Alfred Wallis Artist and Mariner’ was published to critical acclaim. Continuing with his fascination with maritime subjects he has completed his next book which is about the pierhead painter Reuben Chappell. The book ‘Reuben Chappell Pierhead Painter’ came out in the spring of 2006.
From December 2011 to May 2012 I was Music Assistant at Kettle’s Yard, working on the Thursday Chamber Subscription Series and the New Music Series. My job has been to make everything run smoothly on concert day, from setting up the room to making the programmes to getting in tea for the musicians, so I’ve definitely been kept busy! I’ve had the opportunity to meet some incredible performers and hear some amazing performances. I’m writing this on my last day, and the last day of the subscription series for the year, so now is a good chance for me to look back on the concerts and on my time here and pick out a few highlights.
I knew the New Music concerts were going to be a lot of fun when they started with an irrepressible quartet of tuba players in costume and character – Youtuba put on a brilliantly entertaining show which was also musically dazzling.
Two weeks later and I was holding on for dear life page-turning a monster of a piece by Michel Finnissy for Mary Dullea, performing with top contemporary violinist Darragh Morgan, and soon after I was laughing along with the vocal acrobatics of Rebecca Askew and Melanie Pappenheim’s performance of Orlando Gough’s Flam.
On the chamber music side, personal highlights were hearing Ronald Brautigam perform a treat of a programme (all Beethoven – yes please), and the wonderful humour of singers Karen Cargill and Marcus Farnsworth. Marcus, who subbed in at eight hours’ notice (!), ended with one of the funniest encores I’ve ever heard!
We made a particularly big effort in promoting the visit of top contemporary string group The Smith Quartet, and it was great to see the place filled to the rafters for their performance of George Crumb’s dark masterpiece Black Angels. A week on and we had a van load of percussion (everything including the kitchen sink) for the fabulously fun ensemblebash, but perhaps the highlight was working with John Paul Jones, the bassist with Led Zeppelin. I never thought I would be doing sound for someone of that stature but working here has been full of surprises!
Throughout it all I have had the pleasure of working with some fantastic people. Kettle’s Yard is very fortunate to have such a large community of friendly, interested and loyal concert-goers, and we’ve also been delighted to see our New Music concerts drawing in people who’ve never visited before. The staff and volunteers work really hard to make things happen here and it’s been a pleasure to be a part of things here, even if I’ve been pretty tired at the end of some very long days!
I’d like to thank all the staff and volunteers I’ve worked with but especially Ruth for being totally dependable and generous with her time and Lara for somehow managing to juggle about three jobs and still come out smiling.
I’m delighted to be moving on to a role with the Creative Learning department of the Britten Sinfonia, and I have no doubt I’ll be coming back to Kettle’s Yard soon, but maybe next time as an audience member!
Olympic Torch runs past Kettle’s Yard
/ Olympics 2012 / Tuesday 29th May
Come and celebrate the Olympic torch passing through Cambridge by joining us for early morning celebrations with coffee and tea. We’ll be feeling extra patriotic as we watch the Olympic Flame jog past us, up Castle Street right past Kettle’s Yard!
Enjoy a free regal breakfast of coffee, tea and croissants at 6:30am on 8 July, 2012.
A great photo of some of the constructions created during the Space Makers project. It’s always a lot of fun walking through the education room when this project is going on, makes you wish you could stop and join in. Some of the architects of the future at work!
For the Space Makers project Kettle’s Yard is working with a primary school, a secondary school, artists and Shape East to involve students in the process of building a new Education Centre at Kettle’s Yard.
Over a two year period we are working with one primary school, St Mary’s St Neots, one secondary school group, Comberton Village College, two artists – Raksha Patel and Jo Chapman, Shape East and project evaluators Flow Associates. The project will see the artists work to creatively develop the knowledge and skills of the young people in the fields of architecture and the built environment.
Two weeks later and I was holding on for dear life page-turning a monster of a piece by Michel Finnissy for Mary Dullea, performing with top contemporary violinist Darragh Morgan, and soon after I was laughing along with the vocal acrobatics of Rebecca Askew and Melanie Pappenheim’s performance of Orlando Gough’s Flam.
